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What, like making a prequel series is hard? I should never have doubted the power of Elle Woods, who at this point feels like the pop culture equivalent of Mother Teresa to millennials.
Since the moment that Elle was announced by Prime Video, I’ve been it’s number one hater. I’ve written opinion pieces about how its existence is going to destroy the sanctity of Elle’s journey at Harvard, and I’ve spent hours stewing over how anybody could touch the side of Reese Witherspoon’s career-defining performance. If we’re getting another Legally Blonde project, make it about Elle’s Supreme Court Justice years… right?
But oh, how the mighty have fallen. Having now watched all eight episodes of Elle, my hater-self is metaphorically standing in a dumpster fire of her own making. As someone prepared to loathe it, take this next remark with absolute seriousness and sincerity: this series is outrageously good.
In the blink of an eye, I once again felt like my 6-year-old self when the 2001 movie first came out — enraptured, inspired and completely at ease with who I am inside. How? Well, that’s just what Elle Woods does, regardless of who is playing her.
But if you’d have told me at Lexi Minetree was actually an AI version of Witherspoon in her twenties, I’d have believed you. Minetree has all of Witherspoon’s mannerisms down to a tee, has perfected her voice, and wholeheartedly understands the spirit of the woman we all know and love. It is, frankly, a miracle.
But Minetree isn’t the only reason for Elle’s success… absolutely everybody, and almost everything, is pulling their weight.
Elle is about to put the Legally Blonde haters to shame — and most of the film’s lore holds up
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When Elle turns 16, she’s forced to leave her Bel-Air luxury lifestyle behind for Seattle, all thanks to a plastic surgery scandal that her father is embroiled it. With her new high school in the grip of the 90s grunge scene, our favorite pink tornado is once again a fish out of water, and she has to fight to fit in.
As I’ve pointed out, Minetree’s freakishly brilliant understanding of Elle — and how unwilling she is to deviate from Witherspoon’s blueprint — spearheads the feel-good fun, but let’s look at what’s happening around her.
Surprisingly, Elle isn’t just a nod to Legally Blonde. There are also clear references to big nineties and noughties hitters including Mean Girls, Clueless, Freaky Friday and The Breakfast Club, and the nostalgic yearning is strong. From the corded landlines to the banging soundtrack, our young adult life from this time period is fully and lovingly represented.
As willing as I initially was to write our Seattle newbies off, they’re also a treat of an ensemble. Bel-Air bestie Madison (Jessica Belkin) shirks the airhead sidekick stereotype in favor of a grounded spirit and unshakable loyalty, while high school mean girl Kimberly (Chandler Kinney) is hiding a true self that is the last thing you’d expect (no spoilers here).
British boy Dustin (Zac Looker) fuels Elle’s curiosity for anarchy and change, while also providing proof that she can truly extract the best out of every walk of life. A more touching shoutout goes to the enigmatic role of Dean Wilson, which marks James Van Der Beek’s final acting credit before his death earlier this year.
It’s no surprise that my favorite side character is Eva Woods, played by the underrated powerhouse in June Diane Raphael. You only had to briefly see this woman in Parks and Recreation or Grace and Frankie to know how much she truly understands the superficial class, which she poignantly balances with a steady heart and sense of empathy.
Sadly, Perfect Day by Hoku is nowhere to be seen
Now for the most important bit of feedback: the existing Legally Blonde lore. For the most part, I found that it adds to my love of the IP rather than takes away from it, especially when it answers some pivotal questions.
Without giving too much away, we’ll find out how Elle gets Bruiser the Chihuahua (who’s wardrobe is absolutely jaw-dropping, by the way), how Elle ends up back in Bel-Air in time for the events of the original movie, and how she begins to gain an interest in defending innocent people.
However, it’s this last one that’s a bit of a sticking point. For those of us who know the 2001 film better than we know ourselves, it’s unspoken knowledge that Elle had zero interest in pursuing anything related to a law degree, but was only compelled to do so to win boyfriend Warner back.
That, in a nutshell, is the reason why Legally Blonde even exists. So the mere fact that Elle’s rewritten history suggests that this inspiration came much earlier in her life doesn’t completely sit with what we know of her adult life. It’s clearly supposed to be a seedling for what’s to come, but perhaps is a little overplayed.
Even so, I had such a good time watching Elle that I don’t even care. The ebbs and flows of high school drama are deliciously played, the script is genuinely hilarious, and the overarching narrative plot is addictively compelling. I’ve been that engrossed that I’d even go as far as to say that it needs a second season, stat.
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